Fuck You, Pay Me #14: Cranking the Flywheel
This is part 14 of “Fuck You, Pay Me,” an ongoing series of posts on writing, editing, and publishing. Read the rest of the series: Part 1: How To Become a Writer in 12 Easy Steps, Part 2: The Pros and Cons of Traditional vs. Indie Publishing, Part 3: Scenes From My Life Writing a Porn Novel, Part 4: Why I Hate Memoirs (but Wrote One Anyway), Part 5: 19 Ways to Make Money as a Writer, Part 6: Letters From Johns Revisited, Part 7: Some of My Favorite Things I’ve Ever Written (Journalism Edition), Part 8: Some of My Favorite Things I’ve Ever Written (Fiction Edition), Part 9: How to Promote Your Book Without Going Crazy, Part 10: The Pornification of My Life, Part 11: How to Be More Creative, Part 12: The Fine Art of Applying to Writing Residencies, Part 13: How to Be a Consultant, Part 14: Cranking the Flywheel, Part 15: Why You Should Have a Newsletter, Part 16: An Excerpt From My Memoir.
What am I working on these days? A good question. When you’re a writer, you tend to have a lot of pots on the stove. Here are a few things I’m doing, may be doing, am going to be doing, should be doing, want to be doing. The point is to generate momentum and get the proverbial word-based flywheel turning.
“A flywheel is a mechanical device that uses the conservation of angular momentum to store rotational energy, a form of kinetic energy proportional to the product of its moment of inertia and the square of its rotational speed.”
In early October, I’ll be attending the Dart Center for Journalism and Trauma’s 2024 Reporting Safely in Crisis Zones Course for Freelance Journalists in New York. From the course description: “While most hostile environment training for journalists deals with ducking crossfire and kidnappers, this course will teach you how to avoid unnecessary peril through preparation and planning before, during and after assignments.” I’m really looking forward to doing this, and I’ll share how it went afterwards.
In late November, I’ll be a resident at the Kimmel Harding Nelson Center for the Arts in Nebraska. From KHN’s website: “The mission of the Kimmel Harding Nelson Center for the Arts is to support established and emerging writers, visual artists and composers by providing working and living environments that allow uninterrupted time for work, reflection and creative growth.” I can’t wait to do this and will report back on the experience when I return.
I’m continuing to post on Forbes.com, where I cover the business of sex. So far this month, I’ve written about the return of Playboy magazine as an annual print publication and what happened when Etsy banned the sale of adult toys on its website. I’ve got stories in the pipeline about strippers, AI smut, and escorts, to name a few.
“In recent decades, Playboy has struggled to find its footing in a changing media landscape. When Hugh Hefner, the magazine’s founder and editor-in-chief, who died in 2017, launched the first issue of Playboy in December 1953 with a nude spread featuring Marilyn Monroe, the competition was limited to other adult magazines.”
I changed the format of my newsletter to The Reverse Cowgirl Diaries. “From my recent sexplorations to my current obsessions, this weekly newsletter takes you into the mind of someone who has seen too many porn movies,” pretty much sums it up. It also includes weird pitches I get from publicists trying to get me to promote their sex products. And other things.
Lately, I’ve been writing a new short story. By the end of today, it’ll be two-thirds done, and it’ll likely be finished by Monday or not long after. The main character is a man, and suffice to say it has a pornographic element to it. The entire tale takes place in the San Fernando Valley, which is my Yoknapatawpha County.
“To the sympathetic critics Mr. Faulkner dealt with the dark journey and the final doom of man in terms that recalled the Greek tragedians. They found symbolism in the frequently unrelieved brutality of the yokels of Yoknapatawpha County, the imaginary Deep South region from which Mr. Faulkner drew the persons and scenes of his most characteristic novels and short stories.”
Speaking of porn, I’m working on two books: “a novel set in the adult movie industry and a nonfiction book about the pornography business.” The novel has a male main character, and the nonfiction novel has a female main character who is me. Both are set in the present day. The novel is funny, and the nonfiction book is more serious. The novel will be around 250 pages, and the nonfiction book will be around 400 pages.
This fall, there are a handful of sex-related books coming out, so I pitched a story about them and what it means that they’re all by women and in some ways about the female gaze. I sent that to the Los Angeles Review of Books and will probably pitch it a few other places, as well.
“Last month's New Yorker profile of Anderson revealed that the book is in part a modern-day version of Nancy Friday's 1973 best-selling anthology My Secret Garden. But Want's publisher has "placed off limits" any confessors' erotic fantasies that were too extreme. What happens when the outer limits of female sexual fantasies end up on the cutting room floor?”
Things I’m waiting to hear back on: if a panel I pitched to the 2025 AWP Conference & Bookfair has been accepted, if any of the six other writing residencies I applied to earlier this year have accepted me, and if I got a writing grant I applied for.
Last year, I read exactly zero books, so this year I made it a point to read at least a book a month. Follow along at Books I Read. The books include fiction, nonfiction, memoir, photography, and graphic novels. So far my favorite has been Victory Parade.
“It's an electric, searing, beyond Spiegelman's Maus anatomical and artistic investigation of the twin traumas of war and violence, the nightmares that haunt survivors' waking and sleeping lives, and the banality of evil's horrifying consequences to the human soul.”
And, as usual, I’ll be taking lots of photos along the way.
About | My Book I Newsletter I X I Instagram I LinkedIn I Consulting I Email