The Ghostbusters of Porn
When you’re a porn star and your content gets pirated, who you gonna call? Takedown Piracy. Read it here.
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When you’re a porn star and your content gets pirated, who you gonna call? Takedown Piracy. Read it here.
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Have you subscribed to my newsletter, The Reverse Cowgirl? The latest edition is out, and it’s a real good time.
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Research shows that people who subscribe to my newsletter have more and better sex than people who don’t.
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In my newsletter, I wrote about Playboy magazine’s return to print as an annual. It was a pretty disappointing experience with a few exceptions. Find out what I liked and what I didn’t here and make sure to subscribe.
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Image credit: Dina Litovsky
In this week’s edition of The Reverse Cowgirl Roundup: a dominatrix slips on her boxing gloves, a new board game posits players as strippers, a famous actress shares a secret about her private parts, and more.
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Image credit: Steve Diet Goedde
In this week’s edition of The Reverse Cowgirl Roundup: a review of a comic book by a man who paid for sex, a brothel manager tells all, Playboy returns to print, Jeff Bezos’s fiancé shows some cleavage, and more.
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Image credit: Ben Amare
In this edition of The Reverse Cowgirl Roundup: things heat up on the beach in Fort Lauderdale, a sex worker breaks down “romance labor,” a former adult star reveals her most intimate procedures, a lauded lenswoman gets censored, and more. Hit the Subscribe button to get all the sex news that’s fit to print in your inbox.
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In the latest edition of The Reverse Cowgirl newsletter: a gamer and tattoo model is this week’s star, a curious Colorado stripper pole house is showcased on the news, adult content streaming is blocked in Florida, President-elect Donald J. Trump is facing his porn star hush-money conviction sentencing, and more.
(Photo credit: Angela Izzo | model: Pulp)
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The latest edition of my newsletter, The Reverse Cowgirl, is out. In this week’s newsletter: a porn star zine featuring Asa Akira, erotic art tapestries, lusting for Luigi “The Adjuster” Mangione, and more. (Subscribe)
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This is part 15 of “Fuck You, Pay Me,” an ongoing series of posts on writing, editing, and publishing.
I’ve been writing on the internet for a very long time. Since the ‘90s. First, I co-created and co-edited an online literary magazine. Then I had a popular blog. Along the way, I wrote for various publications, digital and print. Today I have my own website with its own blog, and I have various social media channels. Throughout it all, there have been many trends for sharing content online. At one point, you had to have a blog. Then there was that whole pivot to video thing. Somewhere on the route, it was decided that if you weren’t an influencer with clout, you didn’t count. These days, newsletters are the current supposed must-have, and there’s a competitive frenzy over who has the most subscribers, and whether they’re paying subscribers or not, and what said newsletter’s open rate for its emails, and wait how are you monetizing your newsletter in other ways, by the way? In my opinion, newsletters are just one more fad that will boom and bust, but that doesn’t mean you shouldn’t have one. In this edition of Fuck You, Pay Me, I share 10 reasons why you should have a newsletter.
It’s an experiment. Should you have a newsletter? Should you not have a newsletter? If you have one, will anyone read it? If you do it, should you monetize it? If you start it, what should you write about? Who cares? Who knows? Everything is an experiment in the beginning, and things only become successful (or not) in hindsight. My first newsletter was called Valleywood, but when that didn’t feel like a fit for me, I started a new one called The Reverse Cowgirl. The latter feels like a better fit. It took some experimenting to figure that out. But the experimenting, the not-knowing, was required to reach the solution.
It’s creative. Before I landed on my current newsletter format, which is kind of written like a personal and professional diary, I tried writing my newsletter in various formats. A listicle. A bunch of photos. An essay. More personal and less professional. More professional and less personal. I even used AI to write one (a fact that I disclosed). More recently, I landed on a format I seem to like the best, which is both personal and professional, which incorporates, among other things, a mini-listicle and what I’m doing writing-wise, and which combines a set of different things that appeal to me. This means I have a basic structure that makes the newsletter easier to do and more consistent, but it also means that I can do a bunch of different things within that format, which basically sums up my entire career.
It’s multimedia. If you’re posting on social media, you’re probably posting content in one or two mediums. On X, that may be text. On Instagram, that may be an image. On TikTok, that may be video. On Substack, which is the newsletter platform I use, you can do all of those things: write, post images, share video. You can embed social media posts. You can use Substack’s stock photos or its AI image generator. You can share live video. This multimedia approach appeals to me, someone who writes and takes photos and spends too much time on social media. I want to do all the things, not just the one thing. This multimedia approach may also be more appealing to your subscribers, some of whom may be more text-oriented and some of whom may be more visually-oriented.
It’s free. On Substack, as long as your newsletter is free to subscribers, there are no costs. You don’t need any special equipment, it’s easy to set up and get started, and there’s no charge for you to send your newsletter to your subscribers. If you enable paid subscriptions—start charging your subscribers to read some or all of your newsletter content—there are fees, which are outlined here. But otherwise, Substack is a free tool, one that you can use to experiment with, create multimedia content with, and share with, and that makes it an attractive option. Of course, Substack isn’t the only newsletter platform, and there are others, which have their own pricing.
It has no editor. As someone who has been writing forever, I’ve had a lot of editors over the years. Some are great and have improved my writing. Some are so-so and don’t have much of an impact. Some are terrible and shouldn’t be allowed to edit their own shopping lists. With my newsletter, I have no editor. No gatekeeper who gets to green flag or red flag what I want to write about. No person meddling with my prose. No point-of-view I have to take into consideration when trying to decide if I should or shouldn’t write about something of interest to me. If you’re a weak or inexperienced writer, not having an editor may be a downside, but for me, it’s all good when the editor is not only not in my head but doesn’t exist.
It’s uncensored-ish. This isn’t exactly true and not without complications, but I would argue that Substack takes a mostly hands-off approach to content moderation, within reason. (You can find Substack’s Terms of Use here and Content Guidelines here.) This aspect of Substack is not without complications, but for someone like me, whose newsletter’s subject matter is sex, it makes a difference that I not be creating on a platform that has a hair-trigger approach to content moderation, like, say, Instagram. Substack allows “depictions of nudity for artistic, journalistic, or related purposes, as well as erotic literature, however, we have a strict no nudity policy for profile images.” And that’s good enough for me.
It’s personal. There’s something intimate about email, isn’t there? Set aside the spam, the generic newsletters from Big Companies, the annoying notes from your boss wanting to know when that thing you’re supposed to do will be done. When the email is from the right person or strikes the right tone, an email can generate a kind of intimacy that random shit posted across the internet can’t. It seems personal. It seems like it’s for you. It allows the subscriber to feel like they have an intimate relationship with the newsletter writer. And that’s valuable. Because that sense of intimacy, even if it’s an illusion, even if, as in the case of pornography, it’s a known illusion, is what will keep subscribers subscribed.
It’s not content calendar driven. Those who have toiled in the content mines of social media copywriting, as I have, know that content calendars are ravenous beasts. Your words and images become content. Your posts become empty spaces on a digital calendar that must be filled. You start googling the holidays for the month you’re working on in hopes that will inspire you to create something really high performing in honor of National Hot Dog Day. Unless you want it to, newsletters don’t have any of that. And for free newsletters, you can feel free to write whatever you want to write whenever you want to write it. Deadlines? Fuhgeddaboudit. Maybe you like deadlines—in which case, go for it. Maybe you want to have a content calendar. By all means, don’t let me stop you. But the strategic plan for your newsletter is for you to devise and execute as you see fit.
It’s a revenue generator. Your newsletter may make you money, or it may not. It may generate revenue for you directly, through, say, paid subscriptions. Or it may generate revenue for you indirectly, by, for example, getting your name and work in front of someone who likes it, who reaches out to you, and who pays you to do something for them because they saw you do something similar in your newsletter. Or by selling some other product you’re selling, like, say, a book. But one thing is for sure: You will never make money from a newsletter that you never create, that you never publish, that you never write. The only way to find out if your newsletter is a revenue generator is by starting to write it with no guarantee that it will deliver a return on your time and effort investment.
It’s fun. For those who are tired of hustle culture and monetizable stoicism and the self as brand, a newsletter can be a place to return to one’s original state: a state of play. When you can do whatever you want, you start to do interesting things. When you realize there is no fence around the field, you start running beyond the old perimeter. When you allow yourself to not be right, to not care, to forget what you’re doing and just start doing, you begin to change what you’re doing, how you’re doing, and who you are. And that’s worth it, not matter who you are or what you do, how much you have or how much you don’t, whether anyone reads a word of it or if it’s just a thing for the only person that matters: you.
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I know as a “serious” creative, which I’ve never really considered myself to be, you’re supposed to hate AI, but I had so much fun when I used Meta AI to create my latest newsletter. With prompting, Meta AI made up sex toys and virtual erotic poetry readings and fiction it claimed I wrote. There were some fascinating exchanges between me and Meta AI along the way, too. I also really had fun using Substack’s somewhat limited but whatever AI image generator to illustrate the newsletter. In any case, check it out here and subscribe.
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Welcome to The Reverse Cowgirl Diaries, a behind-the-scenes look at my life as a sex writer and all the weird shit that entails. From my recent sexplorations to my current obsessions, this weekly newsletter takes you into the mind of someone who has seen too many porn movies. In RCD #2: Why are AI nudes so creepy? Is ethical smut a thing? Is it porn mail or porn male? Read it here. And don’t forget to subscribe, like, and share!
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Over on my newsletter, I’ve changed the format. Moving forward, it’ll be delivered as The Reverse Cowgirl Diaries. The first one is: “The Reverse Cowgirl Diaries #1: Recent Perversions.” In total, it’s a way for me to share some of what it’s like writing about sex and the weird shit that entails. This week’s edition includes my latest journalism, a music video about underpants, and a flashback to a porn star in a bathroom. Check it out here. Don’t forget to subscribe, like, and share. Every Sunday night, it’ll arrive in your inbox.
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Porn star, Las Vegas, NV | Photo credit: Susannah Breslin
This week in my newsletter I share an excerpt from my memoir, Data Baby: My Life in a Psychological Experiment. This episode takes place early on in the book. I believe it was 1997 or thereabouts. At the time I was living in the Bay Area, where I grew up. On this particular night, I ventured out to the strip clubs in North Beach in San Francisco. It would prove to be a fateful series of events.
I thought it would be interesting to write about the strip clubs in the North Beach neighborhood of San Francisco. I was curious about these enigmatic clubs on Broadway that I had seen but never entered. As a kid in the back seat of my parents’ Dart, I had been driven through San Francisco and spotted The Condor (which, in 1964, became one of the country’s first topless bars). Out front, a towering sign featured a supersized blonde, impossibly busty. Her name, I would find out later, was Carol Doda. On the sign, she wore a black bikini with blinking red lights for nipples.
Doda was the opposite of my mother and her friends, who considered makeup, heavily styled hair, and revealing clothes tools the patriarchy used to subjugate and objectify women. But Doda wasn’t anyone’s tool; she was a legend. She was America’s first topless dancer of note, and her surgically enhanced breasts were billed as “the new Twin Peaks of San Francisco.” When I was in graduate school, I had seen an episode of HBO’s Real Sex about strippers, and I was struck by the revelation that strip clubs were places where intimacy was for sale. Sure, it was transient, transactional, and most often conducted between a guy with a handful of dollar bills and a dancer in a G-string and not much else who twirled seductively around a pole on a stage, but there was something real about it. The strippers reminded me of the girls I had hung out with in high school, whom everyone else had deemed slutty.
“Oh my god, Susannah, make up your mind!” Anne laughed as we stood at the corner on a Saturday night. Broadway was teeming with drunk guys, sailors on leave, and couples on the prowl for something more interesting than what they had already. I scanned the glowing signs. Roaring 20’s. Big Al’s. The Hungry I.
“This one!” We ducked inside. As we moved down the black hallway toward a red velvet curtain, I worried what someone else in the club might think. I, a woman, was in a strip club. As I pulled back the curtain, it dawned on me that wasn’t going to be an issue. There was one thing the men scattered at the small, dimly lit tables around the room were paying attention to, and it wasn’t me. It was the half-naked girl on the stage.
Nonchalantly, we took a seat at a table near the back. We ordered a couple of overpriced drinks. I took a sip: It was straight orange juice. The cocktails were alcohol-free, thanks to a California law that prohibited the sale of alcohol in fully nude strip clubs. It didn’t matter; my head was buzzing from the drinks we’d had at the bar around the corner.
In one smooth movement, the statuesque brunette dancer teetering on the highest heels I had ever seen peeled off her dental-floss-thin neon-green thong. She tossed the thong to one side, grabbed the pole, climbed up it. High above the crowd, she wrapped her thighs around the pole and bent over backward, throwing her arms open like an inverted angel.
The academic world in which I had grown up was right across the Bay, but it may as well have been a million miles from where I was. I studied a solitary businessman sitting at the next table. His tie was untied. His jacket was slung across the back of his chair. His eyes were glassy. He had been hypnotized. In this world, women had all the power, and men were at their mercy. I didn’t want to be a stripper; I was too shy, too insecure, too inhibited to take off my clothes in front of strangers. But I wanted what she had: the stage, the audience in awe, the men gawking at her. As a kid, I had longed for attention. This was an orgy of attention. As a pubescent teen, I was left to figure out my sexuality for myself because my mother was so unhappy. Here, sex was on parade, for sale, everywhere I looked. In the Block Project, I was the object, the one on view, the child studied by researchers from across tables in Tolman Hall’s austere experiment rooms. Now I was the voyeur, the looker, the scopophiliac. It was intoxicating.
As we sped back to the East Bay in the early-morning hours, I watched the city get smaller in the side-view mirror. My father was dead, but for a few hours I had forgotten about that. I could write about this. I could be a gonzo journalist, like one of my favorite writers, Hunter S. Thompson, and immerse myself in it. Sex would be my beat.
Buy Data Baby here. Read more about my book here. Listen to an interview with me here.
(This post originally appeared in my newsletter, The Reverse Cowgirl: “What Carol Doda Taught Me.”)
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This afternoon, I decided to go to an adult toy store. Awhile back, I had read about a line of sex toys that were, well, out of this world. I don’t know if you’ve ever heard of Creature Cocks, but they’re billed as “The Original Fantasy, Sci-Fi Monster Dildos.” If you’ve ever wanted to get intimate with a Radioactive Reptile Thick Scaly Silicone Dildo, a Gargoyle Rock Hard Silicone Dildo, an Orion Invader Veiny Space Alien Silicone Dildo, a Monstropus Tentacled Monster Silicone Dildo, or a Hydra Sea Monster Silicone Dildo, this product line is for you. In fact, I had seen Creature Cocks in the silicone flesh before. A few months ago, I had gone to an adult store in Sherman Oaks, and I had stared at a display of Creature Cocks, but I hadn’t bought one. I wasn’t sure what I would do with it. I had this idea I would keep it on my desk as a sort of talisman, but ultimately, I couldn’t decide on which one and left.
Recently, I read on AVN—which one could argue is the Variety of the adult business—that XR Brands, the company that produces Creature Cocks, was releasing even more Creature Cocks in new enhanced designs. These Creature Cocks were even more out there, among them a Sea Stallion Vibrating Silicone Dildo with Remote and, the one that really caught my eye, a Centaur Explosion Squirting Silicone Dildo. As a long-time watcher of “Shark Tank,” I had to wonder what need was being met. Was there really a demand for not just centaur dildos, but centaur squirting dildos? The answer was clear: Yes. In any case, I was curious to check out the new models.
When I arrived at the adult store, I was the only customer there. I said hello to the guy working behind the counter and found the Creature Cocks display between two doors marked Employees Only and under a sign that read DO NOT OPEN PRODUCT. (I wasn’t going to, but duly noted.) I scanned the boxes, considering the Swamp Monster Green Scaly Silicone Dildo (disturbingly, it had eyes), the Space Cock Glow-in-the-Dark Silicone Alien Dildo (were those blue … testicles?), and a Makara Glow-in-the-Dark Silicone Snake Dildo (I shuddered at its 18-inch length). A woman walked into the store and inquired about a remote-controlled sex toy. The guy behind the counter explained the cheapest one they had was $130. This was more than she expected to spend, she explained. I handled a large black box that contained a Mystique Silicone Unicorn Dildo. The toy’s rainbow color was aesthetically appealing, and it seemed like it would be hard to go wrong with anything unicorn.
At the register, I inquired about the new Creature Cocks products, but he explained they weren’t in stock at the store yet. “Do a lot of people buy Creature Cocks?” I asked, passing the unicorn dildo to him across the counter. “Yeah, people get them all the time, actually,” he told me. So, I wasn’t the only one. After I paid, I headed for the door. “Have a great night!” he called after me cheerily.
When I got home, I pulled the box out of the bag. YOU’LL BE ENTRANCED AS THE RAREST OF CREATURES, THE UNICORN, PENETRATES YOUR PLEASURE GARDEN! the front of the box promised. I opened the top and withdrew the dildo; it was nestled in a plastic container. I touched the dildo’s bottom tentatively (according to the box, this was the STRONG SUCTION BASE); it felt like rubbery flesh. I removed the dildo from the plastic shell; the toy was heavier than I had expected. I stood the dildo on my desk. It was thick and tapered, tan and blue and purple, covered in spiraling ripples. For some reason, I had expected it would do something, but this wasn’t a vibrator. Instead, it sat there, listing slightly, next to my keyboard.
RIDE THIS UNTAMABLE BEAST ALL THE WAY TO FANTASTICAL PLEASURE, the box demanded. I attempted to pick up the dildo, but it had suctioned itself to my desk. With a tug, it came loose. I waved the dildo around. It wagged pleasantly. I wasn’t sure what I was going to do with it, but I was sure of one thing.
I had a unicorn dildo.
This post originally appeared on my newsletter: The Reverse Cowgirl.
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“If X is a raging erection, Threads is the blank, phallus-less space between a Ken doll’s legs.” Read the rest of my latest Reverse Cowgirl newsletter: “Threads Is the Least Sexy Social Media App in Human Existence.”
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“In 2017, I wrote a fictional short story about a male porn star.” Read the rest of my latest Reverse Cowgirl newsletter HERE. Don’t forget to hit it the pink button at the bottom of the newsletter to subscribe.
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“I took the above selfie in late 2018, in one of the experiment rooms in Tolman Hall, a Brutalist building on the north side of the U.C. Berkeley campus, in which I was studied from chilhood and into adulthood.” Read the rest of my latest Reverse Cowgirl newsletter HERE, and hit the pink button at the bottom to subscribe.
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“The images feature hardcore sex, fetishists, erect penises, the unhoused, the seemingly dead, freaks, the mentally ill, exhibitionists, masochists, sex workers, psychos, criminals, mobsters, a hooded figure removing a string of anal beads from his anus, and other types.” Read the rest of my latest Reverse Cowgirl newsletter HERE and then subscribe by hitting the button at the bottom of the newsletter.
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Thanks to my pal Rob Walker for giving a shout-out to my memoir, DATA BABY: My Life in a Psychological Experiment, in his newsletter, The Art of Noticing. If you don’t subscribe to his newsletter, you should.
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