Filtering by Tag: MOVIES
Thence We Came Forth to Rebehold the Stars
What I'm Watching: Train Dreams
What I'm Watching: If I Had Legs I'd Kick You
Maria
Recognize her? It’s Maria from Fritz Lang’s 1927 Metropolis. For more of my photos, follow me on Instagram.
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What I'm Watching: Santa Sangre
What I'm (Looking Forward to) Watching: Peter
Tarkovsky's Mirror at The Egyptian Theater
What I'm (Re)Watching: All the Beauty and the Bloodshed
What I'm (Looking Forward to) Watching: Apex
What I'm (Looking Forward to) Watching: The Odyssey
Lydia Tár Talks to a Fan
What I'm (Looking Forward to) Watching: Afternoons of Solitude
What I'm (Looking Forward to) Watching: H Is for Hawk, the Movie
What I'm (Re)Watching: American Psycho
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Let's Work Together
At The Fixer, I help leaders navigate complexity, protect reputation, and make strategic moves with clarity and discretion. Whether it’s crisis management, executive coaching, or shaping communications that matter, my approach is precise, pragmatic, and confidential. Clients range from CEOs and founders to creatives and power players who need real-world solutions — quietly, effectively, and without noise. Based in L.A.
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Anton Chigurh: An Appreciation
For HILOBROW, I wrote a short personal essay about my affection for No Country for Old Men’s Anton Chigurh.
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What I'm (Looking Forward to) Watching: The Bride!
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Weapons
I really liked Weapons. A terrific script structure, weirdly realistic and awkward dialogue, a major case of the spooks, a mind-blowing performance by Amy Madigan as the totally terrifying Aunt Gladys, and a lot of dynamic film-making. The third act got a little wobbly a few times, but all in all if you liked Barbarian, as I did, you’ll really love Weapons. The best thing about this inventive movie is its nonlinear narrative script, which allows for overlap and interweaving that’s impossible with linearity.
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What I'm (Looking Forward to) Watching: Orwell 2+2=5
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