What I'm Listening to: Baby Rose's "Landslide"
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I really loved Susan Meiselas’ Mediations. It provides a wonderful overview of her career, development as a photographer, and efforts to rebalance the power dynamics between photographer and subject. I particularly enjoyed the essay by Eduardo Cadava, which manages to be both personal and theoretical. Recommend.
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An adult movie actress poses on a North Hollywood set, 2001. For more of my photos, follow me on Instagram.
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Adult actress with script, Los Angeles, Calif., 2017 | Photo credit: Susannah Breslin
An adult actress reads her script before shooting her scene. For more of my photos, follow me on Instagram.
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This short story was written by me and originally published in Opium Magazine in 2003.
When all the men were gone, that was when the women realized they were sorry. It had been a long time coming, the women saw in hindsight. One by one, the men had left, the woman recalled. The men had their briefcases at their sides, their suitcases on their leashes, their luggage strapped across the widest parts of their shoulders. "Goodbye!" the men had called out to the women. The women should have known. At first, the women had been happy. Now, they had time to shop at strip malls, and get their nails polished in pink or peach, and talk to each other about each other across the freed up phone lines. They had all the time in the world in a world without men. "Hello!" the women screamed out to each other across the deserted city streets. Inside their homes, the women cooked TV dinners for one, and sat down on toilet seats without checking first, and figured out how to use all the remote controls. Eventually, they even got into the White House, and learned how to kill cows for one another, and changed each other's tires by the sides of the roads. A long time after all the men were gone, when the women had settled down into their lives at last, the women sat there like that for one day, and they were content. The next day, though, the women began to fidget, and several of them scratched their heads, and a couple of them yawned. In the darkness of their closets, and the isolation of their cars, and back behind their mildewing shower curtains, the women whispered to themselves, "Those men, they weren't so bad." And the women began to wonder if the men being gone was not such a good thing, after all. Too late, the women decided, it was.
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Really enjoyed The Last Showgirl. Pamela Anderson and Jamie Lee Curtis are wonderful. Sweet, atmospheric.
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The first time I read Chester Brown’s Paying for It was around the time it was originally published, I believe. I decided to buy a new copy and reread it when I heard that the woman who had been Brown’s “last girlfriend” before he started paying for it had directed a movie adaptation of the book. I seem to remember liking the book more the first time I read it. This time I found it kind of grim and sort of ick. I write about a fair amount of stuff related to this subject matter, and I even ran a website for a year where I posted anonymous emails men wrote to me about paying for it, but this comic is so dark and weirdly dissociated and lacking in any kind of empathy that I read it faster than usual just to get it over with. If you don’t know anything about paying for it or why guys pay for it or the politics of paying for it (particularly in Canada, Brown’s country of origin), this book may be of interest. Also, the drawings are cool. But to the Brown on these pages, sex workers are receptacles to be judged, used, and discarded. That take is retrograde, boring, and depressing.
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Image credit: Ben Amare
In this edition of The Reverse Cowgirl Roundup: things heat up on the beach in Fort Lauderdale, a sex worker breaks down “romance labor,” a former adult star reveals her most intimate procedures, a lauded lenswoman gets censored, and more. Hit the Subscribe button to get all the sex news that’s fit to print in your inbox.
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Ten Days in a Mad-House: A Graphic Adaptation, written by Brad Ricca, illustrated by Courtney Sieh, and based on the book by Nellie Bly, is an absolutely astonishing work that brings to life the terror, shame, and seemingly inescapable horror of being trapped in an abusive system. I’ve read the original Ten Days and I’m an investigative journalist, so I wasn’t sure what to expect. This book is a masterful adaptation of an original work as imaginative and evocative as the graphic adaptation of Paul Auster’s City of Glass. Sieh’s illustrations are especially moving, as she conjures up the faces of the women trapped in the asylum’s hell.
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The latest edition of my newsletter, The Reverse Cowgirl, is out. In this week’s newsletter: a porn star zine featuring Asa Akira, erotic art tapestries, lusting for Luigi “The Adjuster” Mangione, and more. (Subscribe)
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I reread Shine Shine Shine by Lydia Netzer. Full disclosure: Lydia is my dear friend. Other full disclosure: This book is an absolute marvel. I love everything about this book: its lyrical prose, its daring and fearless tackling of Big Things (Life, Death, Reproduction), its insistence on what could be called optimism in the face of the chaos that is the universe. Sunny is bald! Maxon is going to the Moon! Bubber is hitting his head! And let’s not forget about the baby that’s coming or the double-life of Les Weathers. I highly, highly recommend.
Books I Read in 2024: Victory Parade, I Hate Men, My Friend Dahmer, The Crying of Lot 49, Machines in the Head, Big Magic, The Valley, End of Active Service, An Honest Woman, The Money Shot, Atomic Habits, Finding Your Own North Star, Crazy Cock, Sigrid Rides, Your Money Or Your Life, The Big Sleep, Eventually Everything Connects, Smutcutter, Shine Shine Shine, A Serial Killer’s Daughter, Confessions of a Serial Killer
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The Dominatrix Sleeps Tonight at Sherman Oaks Antique Mall. For more photos, follow me on Instagram.
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In this week’s edition of my newsletter, The Reverse Cowgirl Diaries, I’ve got a pole dancing mom, a substance that makes you hotter, a male porn star monologue, and more! Hit the button at the bottom of the newsletter to subscribe and get all the sex news that’s fit to print in your email inbox every week.
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In the early 2000s, I was working on a project I called The Fetish Alphabet. It was a series of flash fictions, all named for the letters of the alphabet, each letter representing a fetish. Over time, I had various of those stories published on various literary platforms. In 2003, Born Magazine published one: “C Is for Conjoined Twins.” I don’t quite recall how it worked, but the idea was the site was coupling texts by writers with multimedia creators, and the text and multimedia were combined into one cool result. My story was turned into a Flash-based (I believe) … I don’t know what to call it but artwork sounds about right … by the French artist Rolito. Thanks to the Wayback Machine, you can see the interactive, animated original story here. (This interactive work is also cited in Donna Leishman’s “The Flash Community: Implications for Post-Conceptualism.”)
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I took this photo today at Post Human at Jeffrey Deitch. For more of my photographs, follow me on Instagram.
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This story was written by me and originally published on Forbes.com in May 2020.
She goes by the moniker Lena the Plug. Never heard of her? Well, you’re in the minority. She has 3.5 million Instagram followers, nearly 1.6 million YouTube subscribers, and 1.1 million Twitter followers. And she’s built this empire herself.
At 29, Lena is a new kind of adult performer. Once upon a time, adult actresses signed exclusive contracts with adult production companies. Today, influencers like Lena create their own adult content and use their social media platforms to promote their content and score paying subscribers.
Lena didn’t set out to disrupt the porn business. She graduated from the University of California, Santa Cruz and has a bachelor’s degree in psychology. Her family is Armenian, and she grew up in Glendale, California.
Think she’s an amateur?
She earned seven figures last year.
Susannah Breslin: You have millions of followers across your social media platforms. What do you think is your appeal?
Lena the Plug: My YouTube fan base has transformed a lot. I think my appeal at first was purely sexual on YouTube. People showed up to subscribe to my content because they wanted to see me make a sex tape when I reached a million subscribers. Mostly men were watching, but some women showed up as well to see the train wreck they thought I would be. I ended up just sharing the most real and raw, most honest parts of myself on my channel. I sort of treated my videos like they were diary entries for a while. It was an outlet for me. I cried on camera. Yes, I shared the exciting party life I was living with my boyfriend, but I also talked about my eating disorder, losing a good friend to suicide, and how I struggled with the hate that comes with sex work. I went from a 5% female demographic to a 45% female audience, which really stood out to me. I think my YouTube channel has done a lot to really flush me out as a “whole” person, if that makes sense. People see a sex worker, and to them, she is purely a sexual object. It is hard for the consumer to see past that, but when you open up and show “the good, the bad, and the ugly,” you’re humanizing yourself to an audience. They can relate to you in a way that they couldn’t have imagined before. I think that’s my appeal. Getting a person to say: “Okay, she has a totally different type of occupation than the one I do, but I can relate to her. I can see myself befriending her. We are not so different, in a way.”
Breslin: Some people might be surprised to learn that you're bringing in seven figures annually. What are your revenue sources?
Lena: I have a big YouTube and Instagram following, but 95% of my revenue stream comes from selling access to my premium Snapchat and OnlyFans subscriptions. The other 5% is a combination of YouTube revenue, Instagram and YouTube brand deals, adult tube sites, and merchandise. It’s hard to get brand deals when you do 18+ work, or earn a high amount of revenue on Youtube when you are a sex worker—videos get demonetized even if they abide by YouTube community guidelines—so I have always relied on creating and selling quality adult content. It is the bread and butter of my business.
Breslin: Was being an entrepreneur something you planned or did you more fall into it?
Lena: I’ll be honest. I didn’t think I had an entrepreneurial bone in my body until I started doing this work. I began selling access to my premium Snapchat back in 2016 when it became very apparent that because of my high follower count on Instagram and Snapchat, I would have guaranteed financial success with it. A few different people who ran sites that girls could sell access to their Snapchat on had reached out to me to join their sites. They wanted 50% of the revenue for me showing my entire body online, while they just hosted the site that processed the credit cards. It struck a nerve with me, and I couldn’t get myself to take any of those deals. I decided to have a site built for myself, where I could keep a majority of my earnings. I’ve since moved to larger, more mainstream sites—like OnlyFans—because they offer a reasonable revenue split, but I think that experience with creating my own website is what started me out as the entrepreneur I didn’t know I could be.
Breslin: Even though adult content is ubiquitous on the internet, there's still stigma attached to sex work. How do you navigate that?
Lena: It used to be really hard, at first. I was overwhelmed with negativity when I first gained notoriety online. I felt I had truly made a mistake in choosing this work and should have never entered this space. I wasn’t used to the repeated name-callings back then. I’ve since gotten used to it and grown thicker skin. If someone calls you a whore thousands of times, it just doesn’t hurt anymore, you know? I see the same negative comments all the time. They lose their meaning after a while. The commenters of these words don’t feel like real people anymore. I basically just block and ignore now. Internally, I acknowledge that whoever is commenting is coming from a very different world than the one I know. They haven’t been exposed to the same things that have allowed me to be open-minded about sex. I try to be forgiving about their hatred and remind myself that there was probably a time where I was more close-minded and would have probably thought poorly of sex workers too. It doesn’t make it right, but it helps me to put it into perspective and try to understand them better.
Breslin: Years ago, adult performers had exclusive contracts with production studios. What role has the internet and social media played in your career?
Lena: Without the internet and social media, I would have no career. Without Instagram and Snapchat, I would have never known that selling adult content online was even an option. I would have no clue that you can make an entire career off of it. I only got into this business because so many of my followers kept asking me if I had “premium” content. Now I use my social media platforms as marketing tools for my business and [as a way] to meet other creators to work with. I owe everything to the internet and these platforms.
Breslin: How has the pandemic impacted your business?
Lena: The pandemic has affected a majority of businesses in a very negative way, but my business has been growing steadily during the past couple of months, in terms of selling memberships to my OnlyFans. Also, I always worked from home, so the pandemic hasn’t changed that for me. The one difference in my business is that the type of content I create is a little different. I can’t meet with other performers to shoot content, so I mostly film solo content or shoot videos with my partner, who I’m quarantined with. I have shot a couple of Zoom orgies, which are fun, but I look forward to when I can physically work with other beautiful women in person again.
Breslin: You announced not long ago that you're pregnant. What was the reaction like from your followers? How has being pregnant impacted work?
Lena: Yes, I am currently 17 weeks pregnant! I made my announcement on social media a few weeks ago, and as with most things, it was good and bad. I was overwhelmed with beautiful messages from many of my followers who are excited for this new chapter in my life. However, many people felt the need to vocalize their opinions about the mistake they seem to think I am making. The number one concern is that my child will be bullied because of my career choice, and that it is selfish for me to bring kids into this world. Others believe that if I’m choosing motherhood, I should leave sex work behind. It’s apparent that these people subscribe to the idea that women cannot be both maternal and sexual, they must choose one or the other. I’m ignoring everyone and continuing to do my job and live my life. I shouldn’t have to leave my career, especially while my success is constantly growing at a steady rate, just because I am having a child. I’m a business woman, just like any other business woman, and I’m in the very fortunate position where I don’t have to give anything up. So far, my pregnancy hasn’t affected my work. People still love my content, even with the extra weight. As I grow and look undeniably pregnant, I am sure I will lose some amount of subscribers who miss my smaller frame, but I will surely gain some new ones who prefer a big-bellied body.
Breslin: Who's your role model? Kim Kardashian? Steve Jobs?
Lena: I wouldn’t really say I had any role models when I came into this business because I sort of fell into it without even realizing what was happening or how big I was getting.
This conversation has been edited and condensed for clarity.
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