A Very Long Question

I like Noah Kalina’s “Hotline” show, and recently I called in to ask a very long question about work and life.

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When Children Grow Up Online, They Lose Their Private Lives

The author at four

This past spring, I wrote an opinion essay about children and privacy. The essay was inspired by and informed by my memoir, Data Baby: My Life in a Psychological Experiment, in which I detailed how being a research subject from childhood to adulthood shaped me and changed the trajectory of my life. I submitted the essay to various outlets, but no one was interested in publishing it, so I’m publishing it here for the first time.

Today’s kids grow up online. From the first sonogram image posted to a parent’s Facebook profile to providing toddler content fodder for a mommy influencer’s TikTok account, Gen Z has never known what it is to have a private life. Without their knowledge or consent the most intimate moments of these children’s lives, embarrassing meltdowns and potty training scenes alike, have been shared, scrutinized, and commented upon by people they will never meet.

I know something of what it’s like to grow up without a sense of privacy. Not long after I was born, in the spring of 1968, my parents submitted an application for my enrollment in an exclusive “laboratory preschool” run by the University of California, Berkeley, where my father was a poetry professor. When I arrived at the Harold E. Jones Child Study Center for my first day of nursery school, I became one of over 100 Berkeley children in a groundbreaking, 30-year longitudinal study of personality that sought to answer a question: If you study a child, can you predict who that child will grow up to be?

Over three decades, my cohort and I were studied extensively. At the preschool, which had been designed for spying on children, researchers observed us from a hidden observation gallery overlooking the classroom and assessed us in testing rooms equipped with one-way mirrors and eavesdropping devices. After preschool, the cohort scattered to the winds, but our principal investigators continued following us. At Tolman Hall, a Brutalist building on the north side of campus that housed the Department of Psychology, we were evaluated at key development stages. Our school report cards were analyzed. Our parents were interviewed. We were studied at home and in an RV that had been turned into a mobile laboratory with a hidden compartment in the rear from which one researcher looked on as another researcher evaluated us.

In the early years, I didn’t know I was being studied. Eventually, I learned I was part of an important study. In the beginning, my parents consented for me. When I got older, I consented for myself. I liked being studied. At home, my English professor parents were preoccupied with work, and I spent a lot of time alone in my room entertaining myself. In an experiment room, I was the center of attention. My intellectual parents were emotionally distant. The close attention paid to me by a researcher sitting across the table from me felt a lot like love.

From its first chapter, my life was an open book. As I understood it, my private life was not my own but something to be offered up willingly to science in service of enlightening humanity. In my mind, being a human lab rat was my destiny. Over time, our lives would inform over 100 books and scientific papers. The study would shed new light on how people become who they are, report that adult political orientation can be predicted from toddlerhood, and prove that, to some degree, you can foresee who a child will grow up to be.

According to the observer effect, the act of observation changes that which is being observed. Without a doubt, being studied changed my life. It made me feel like I mattered when my parents didn’t; its researchers’ keen interest in my life story played a role in shaping me into the writer I would become. When I was in my early thirties, the study ended, and in hindsight I can see I felt a bit lost without it. Who was I without my overseers watching over me?

I think about my experiences as a research subject when I think about Gen Z, the pioneering generation that is coming of age publicly. They are unwitting research subjects in a global-scale psychological experiment, one in which they are human guinea pigs and the unanswered question is: How will growing up in the public eye shape their identities? After all, this generation’s overseers are not kindly researchers who want to understand human nature but Big Tech billionaires who have fine-tuned their algorithms to not simply study their youngest users but to guide their choices, mold their senses of self, steer their minds.

According to a 2023 Gallup survey, the average American teenager spends 4.8 hours a day on social media. In January, Meta CEO Mark Zuckerberg engaged in senatorial theater, suggesting the company was undertaking steps to reduce the potential for harms caused by social media on teens. In his State of the Union Address in March, President Joe Biden made a brief reference to his goal to “Pass bipartisan privacy legislation to protect our children online.”

For kids, it may be too late to save what they’ve lost already: a private life.

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Fuck You, Pay Me #1: How to Become a Writer in 12 Easy Steps

The writer at 4

This is part 1 of “Fuck You, Pay Me,” an ongoing series of posts on writing, editing, and publishing.

1. Get lucky. Be born. Have English professor parents. Be read to a lot. Learn to read. Read a lot. Go to a weird kindergarten that lets you sit in a box all day, reading books. Be taken to the library. Be taken to bookstores. Watch your father write books. Spend a lot of time on your own in your room, reading books. Cultivate an expansive imagination. Make up stories in your head. Listen to your father crouched down on the floor next to your bed making up bedtime stories that you’ll wish you could remember as an adult but can’t. Decide books are your friends.

2. Look for the helpers. Go to grade school. Go to high school. Bond with various English teachers along the way who tell you or suggest to you or make you feel like you are a good writer and think to yourself: Maybe I am. Drop out of high school in your senior year to the disappointment of pretty much everyone. Attend community college. Transfer to U.C. Berkeley as a junior. Major in English at the same university where your father is a professor. Fall in love with James Joyce. Fall in love with William Faulkner. Fall in love with Jacques Lacan. Consider becoming a writer.

The writer in Austin, Texas

3. Write a lot. Get accepted to a graduate school master’s degree program that is 50% literature and 50% creative writing. Move to Chicago. Make friends with other writers. Read more. Write more. Pen academic essays and short stories in which strange things happen. Graduate. Return to the Bay Area. Have your father die. Realize that you want to be a writer, now that your father (the writer) is dead. Start an online magazine about post-feminism with your friends from graduate school. Interview a porn star. Get invited to a porn set in Los Angeles. Move to L.A.

4. Find a niche. Become a sex writer. Write about the porn business. Appear on TV. Write for glossy magazines. Get hired to be a reporter on a Playboy TV show that’s basically “60 Minutes” on Viagra, a gig that takes you around the world and results in you visiting the Playboy Mansion three times. Date a famous comedian who dumps you. Date an artist who makes fire-breathing robots. Start one of the first sex blogs, which is called The Reverse Cowgirl; the tagline is: “In which a writer attempts to justify the enormity of her porn collection.”

5. Sell out. Leave L.A. for reasons you’ll be unable to understand later. Move to New Orleans, Louisiana. Publish a collection of short stories with a small publisher. Identify Hurricane Katrina is on its way to where you live and leave. Move to Norfolk, Virginia. Sell freelance articles, generate blog posts, and try to write a novel about the porn business but fail repeatedly. Move to Austin, Texas. Become a copywriter. Get hired to be the voice of Pepto-Bismol on social media, something at which you are good. Wonder what you’re doing with your life. Feel unsure.

The writer in Naples, Florida

6. Give up. Move to Chicago, Illinois. Get married. Get breast cancer. Feel like maybe you’re going to die, or maybe you’re not going to die, but either way the chemo makes you feel like you’re dying so what’s the difference. Survive. Write for the Forbes website. Try intermittently to stop writing about sex because you’re married and it seems unseemly. Keep writing about sex anyway. Move to Naples, Florida. Become extremely unsure who you are or what your life has become or what you’re going to do next. Get divorced. Move back to L.A.

7. Try again. Pick up the pieces of your life, attempt to arrange them into something else, and identify it looks like a mess. Start a strategic communications consulting business that you describe as “I tell C-suite guys what to do.” Decide that you’re going to write the memoir that you were trying to write when you were married, which is about how you were a human lab rat in a 30-year longitudinal study of personality starting when you were a kid. Apply for an investigative reporting fellowship at U.C. Berkeley, which is where the study was conducted, so you can research the book. Tell everyone you’ll never get the fellowship. Get the fellowship.

The writer in an experiment room

8. Face your fears. Move back to your hometown. Rent an in-law apartment in a house that’s less than a mile from the house in which you were raised. Start your investigating. Visit the preschool where you were studied. Explore the building in which you were studied. Take a selfie in one of the one-way mirrors through which you were spied on in an experiment room. Begin to wonder how this experience of being studied shaped the person you became. Wonder if people are who they are or if life changes people and if the latter is true, can writing the story or your life change you, too?

9. Write a book. Return to L.A. after the fellowship ends. Craft a book proposal about your human lab rat life. Acquire a literary agent. Sell the book on proposal to one of the big publishing houses on the other side of the country. Watch as the pandemic descends on the globe. Debate the point of writing anything, seeing as the world is coming to an end. Spend a long time writing the book. Have your mother die. Write your mother dying into your manuscript. Hire a freelance editor who helps you finish the book and whom you refer to as your “book doula.” Wait for the book to be published.

10. Believe in yourself. Get the book published. Appear on some book lists. Get some good book reviews. Have an article about you and your book published in a newspaper in which your photograph appears. Promote your book on social media. Do some interviews about your book. See your book in some bookstores. Thank people for buying your book. Hold your book in your hands and experience a mix of pride at your hard-won accomplishment and the clarity that it is far too late for either of your now dead parents to acknowledge it. Put the book on the shelf in your living room. Consider what to do next.

The writer in The New York Post

11. Question everything. Turn into the living embodiment of that meme in which a dog is sitting in a room that is afire and the words say: “This is fine.” If this is a midlife crisis or an existential crisis or some other sort of crisis, it is the quietest crisis ever, a kind of imploding. Who are you and what are you doing and is this who you are supposed to be? These are the same questions you have been asking yourself for a long time, and you still don’t have the answers. Interviewers want you to give them a happy ending to the story of your life when they ask you about your book, but this is your reality. Life goes on.

12. Start all over. Think about how over two decades earlier, you stood on the set of a porn movie and thought: I should write a novel about this. Think about all the times you have tried to write it and failed. Try to write it again. Fail again. Try writing it another way. Fail again for a second time. Think of another way to write it that is new, an idea that sounds like a terrible idea because maybe no one will read it because it’s so totally out there. Think about how the way you shouldn’t do things is exactly how you should do things. Try writing the novel that way. Love it. Keep writing it. Feel better. Keep going. You’re a writer now, after all.

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Scenes From My Life in a Psychological Experiment

Me, for Slate:

“Suddenly, I freeze. In the large mirror on the opposite wall, my hot cheeks are pink, flushed with my embarrassment. Somehow I have surmised the truth: I am not alone. Someone on the other side of the mirror is watching me.”

Read the rest HERE.

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Buy My Book

I wrote a book: Data Baby: My Life in a Psychological Experiment. You can pre-order it on Amazon here.

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High School Dreams

Every once in a while I have dreams in which I’m back in high school and screwing up. Last weekend offered a variation on that—and usually they are variations. This one I was in college, but a high school-like-college, and I had screwed up something—not doing homework, missing tests, that sort of thing—and I was going to fail all my classes. The tension of these types of dreams tend to revolve around the moment at which the problem becomes too significant to ignore, and the moment at which I address it. In fact, I dropped out of high school in my senior year. I was a bit of a fuck up. Sometimes I think about going back; you know, one could turn that sort of thing into an article. I never got my GED: I took classes at UC Berkeley when I was in high school, I went to junior college, I transferred to and graduated from UC Berkeley, I went to grad school. Despite all those boxes checked, I’m still the girl who has dreams in which I’m screwing everything up all over again.

Buy my short story "The Tumor" — it’s been called "a masterpiece of short fiction."

You're Not Reading This

After some time off, I have been blogging more lately. One thing that’s different is that I’m not posting links to these posts on social media; at least, not at the moment. In the deluge of the attention economy, is no attention the new high-value asset? I’ve spent most of my career pulling revenue from two threads: more creative work and more commercial work. I was able to be successful doing commercial work because I understood how to monetize attention and how to grow it. I did that sort of work for companies ranging from Time Warner to Procter & Gamble. The age-old question is: Does commercial work kill creative work? I never found that to be the case. I felt they were Siamese twins: inextricably linked. Whatever I was doing commercially tended to inform whatever I was doing creatively and vice versa; the relationship was symbiotic. What happens if you stop paying attention to how many people are paying attention? Obviously, this site has traffic stats, but I haven’t looked at them. If you write like no one is reading, if you speak like no one is listening, if you act like no one is watching, what happens next?

Buy "The Tumor" — my short story that’s been called "a masterpiece of short fiction."

How I Became a Journalist

I subscribe to The California Sun, a new California-centric newsletter by Mike McPhate. It includes features like, recently, "When Russia Settled California." I thought I recognized the images. Isn't that where I went on a grade school field trip? I wondered. Indeed, it was Fort Ross, which comes to mind occasionally because that's where I first tried out being a journalist. I believe I was in the fifth grade, and we went on an overnight trip to Fort Ross, which has a program that allows groups to stay overnight at the Fort, and, in doing so, go back in time to experience life at the Fort as it used to be. When I went, various kids chose various roles to play. The person who made butter, I seem to recall, was one. Maybe another included feeding livestock. Instead of going back in time, I chose to be the reporter from the present time who would report back on the trip. I wore a sweater vest. I suppose that was my idea of what a journalist dressed like.

The 12-Year Deadline

I've never been great with deadlines, but when I set out to write The Fetish Alphabet, I had no idea it would take me 12 years to finish it. But, it did.

In 2002 (as I recall it, and since this story covers many years, it's possible I'm misremembering parts of it), I reached out to Andrew Gallix at 3:AM Magazine. Andrew teaches at the Sorbonne, and 3:AM's slogan is "Whatever it is, we're against it," a phrase I wouldn't mind having pounded into my gravestone. (You can read more about 3:AM's illustrious history here.) I believe I pitched him the idea of a fetish alphabet. An alphabet. Of fetishes. A series of flash fictions exploring erotic derangements. He must've said yes because at some point off we went. A Google search reveals I wrote six installments -- A through F -- which were published between August and November of 2002. And then, for reasons I can no longer recall, I stopped.

A year later, I published You're a Bad Man, Aren't You? with Future Tense Books. It was a collection of short stories I'd written and included a few of the fetish stories. That same year, I worked with artist Anthony Ventura on an illustrated version of The Fetish Alphabet. He beautifully illustrated the stories I'd written, and I wrote some more. I mean, look at this illustration for "A Is for Anthropophagy." Amazing. Some recent poking about online indicates I rewrote some of the letters -- for example, I changed "B Is for Bestiality" to "B Is for Bukkake" -- and I believe we got as far as O. And then, for reasons I can no longer recall, I stopped.

Of course, this always bugged me -- the whole lot of it. That I had started it and not finished it. That it had been one thing and then another thing but never a finished thing. That I had said I would do it, yet in the end I had not. Over the following years, life happened. I moved, and I was broke, and I got sideswiped by Hurricane Katrina, and I moved again, and I worked as a waitress, and I moved again, and I got married, and I had cancer, and I got better, and we moved, and so on and so on. Buffeted by the waves, I suppose, or perhaps more like a drunk weaving back and forth across the road of life. Depends on how you look at it.

One day this year, I woke up, and I wasn't moving anymore, and I wasn't broke anymore, and I wasn't single anymore, and I wasn't sick anymore, and I wasn't in the eye of a storm anymore. Still, I had spent a lot of this year feeling like I was failing at things. Or at least not particularly succeeding at things. I wanted to do one thing and finish it. One. Thing. For fuck's sake. So I would know that I could. In that spirit, in November, I undertook a 30-day yoga challenge, and, to my quasi-surprise, I finished it. And then I set out to write 30 fictions in 30 days on my blog, and I did that, too. And after the former and during the latter, I emailed Andrew again, 12 years after the fact, and I asked if he would be interested in me finishing The Fetish Alphabet, and, luckily enough, he was kind enough and generous enough to give me the space to do it. The subject of my email to him on November 21: "An indecent proposal."

Today, the alphabet is done through W. I found a few of the ones I'd written along the way -- H, M, and O -- and the rest were lost. As of this writing, you can read The Fetish Alphabet through Q at 3:AM. A lovely woman named Emma posts them. That means X, Y, and Z are the only ones left. I told Andrew I'd do one every day, and for a while I did, but I ended up missing a few days here and there. Right now, that 12-year deadline is so close I can taste it, and you know what it tastes like? It tastes like rich New Orleans soil and bloody surgical gloves, aviation fuel perfume and prickly south Texas cacti, plastic bags filled with lavender air and the inside of an over-worn wedding ring. Surely, there are fetishes for all these things, including finishing things.

[The Fetish Alphabet]